San Francisco’s New Mission Drafthouse cinema serves pretty great cocktails both in the theater and in their attached bar, Bear vs Bull. During a recent showing of 2005’s Pride and Prejudice the following cocktail menu was available: Continue reading →
Gin is my spirit of choice. I am therefore thrown into the proximity of many tonics. My go-to tonics are Fever-tree‘s Mediterranean or Elderflower tonics but I’m always looking for new flavors. Recently I did a taste test with some new tonics available at my local Emporium of Alcoholic Wonders (a.k.a. Berkeley’s Ledger Liquors).
Indi Strawberry tonic paired with Wollersheim’s Garden Gate Gin. The sodalike, quinine-light tonic offers strong fresh strawberry flavors (thankfully not a hint of artificial flavor), so I thought the fruit and herbs of the gin would play well with the strawberry. It was a summery combination but some heavy botanical in the combination didn’t quite suit.
Before research taught me that a shaddock is an archaic name for grapefruit or pomelo, I disdained the cocktail name and simply called this one “My Favorite.”
.75 oz gin
.75 oz Aperol
.75 oz fresh lemon juice
.75 oz St. Germain
Shake with ice, strain, serve.
In addition to its bright citrus burst, the Shaddock offers a uniquely grapefruity flavor that is present in no single ingredient but miraculously appears when Aperol and St. Germain join forces. (The Humble Garnish pointed out that grapefruit magic with their Apparent Sour.) Continue reading →
Please send airfare. I’m firing up Kayak.com right now to balance the cost of a San Fransisco/D.C./Twin Cities jaunt against my burning need to experience these menus.
San Francisco: Drink your art with Trick Dog’s mural project
Trick Dog‘s blisteringly creative menus are among the very best the industry has to offer (a curious juxtaposition with its aesthetically cold echo chamber of a space, surely one of the least comfortable the industry has to offer).
Their current menu debuted January 8. Drinks are based on Bay Area local artists, each of whom created a mural in San Francisco for the project. The hard-copy menu at Trick Dog seems to be a printed book of photos, the sale of which benefits non-profits, so you can have your art and drink it, too.
The above mural by Sirron Norris (a friend of a friend of Coupe Tales, though we’ve never met) accompanies his namesake cocktail: Calle 23 blanco tequila, Cardamaro, fig, chamomile, cinnamon, and lime.
A glance at my scotch or mezcal collections should tip you off to my love of smoky flavors. Though those liquors are typically my go-to building blocks for a smoky glass at home, I’ve long marveled at the actual smoke employed to create some of my most memorable cocktails when dining out.
Crown Royal Cask 16, housemade cherry vanilla bitters, hickory-smoked syrup, vanilla cognac (also housemade, I believe), set in an antique cloche to pull in the flavors of smoking hickory chips and vanilla pods.
Once removed from the smoking bell jar the Manhattan and its hand-chipped ice sphere provided me with the longest, smokiest finish I’d yet experienced (at the time, I was not yet a scotch fan). By fully smoking the drink in its glass, the ice, glassware, and your very hand become part of the immersive experience.
At any given moment The Shining is in my top three favorite movies (and jostling for first place). VHS, DVD, Blu-Ray, 35mm (both whole and also slashed to hell from decades of projectionists slicing frames out of iconic scenes for their collection or enrichment), forwards and backwards, de/reconstructed in Room 237, aped in countless examples of pop culture: I have watched it whenever, wherever, and however possible.
When this great cinematic love meets my love of imbibing, I’m as happy as a guest at an Overlook Hotel party.
As San Francisco celebrates hosting the Kubrick Exhibition, I’ve tracked down a few places offering Shining-themed cocktails.
A photocopy of a photocopy. A jpeg resaved so often it loses all form. This is what I did to the noble Eeyore’s Requiem.
A friend reminded me of this delicious this bitter drink, and Serious Eats informed me of its noble pedigree: this is a Violet Hour original. (Love the Violet Hour. Love Serious Eats, for that matter.)
My friend said he’d held off making this until he found Dolin Blanc, which struck me as slightly odd since he isn’t the type to fear substitutions. Me, I fear few substitutions. And with supplies of Campari and Cynar running low, I thought I’d play with substitutions until I got a drink I no longer loved.
Creativity isn’t limited to the contents of a glass.The Rickshaw Stop in San Francisco ennobles its relatively basic bar with thematic cocktail specials at its events.
For instance, Reeve Carney’s solo show boasted a Dorian Grey cocktail.
Grey Goose vodka, orange juice, 7-Up, and cranberry juice is not my usual tipple but the Rickhouse had keenly intuited which of Carney’s roles brought me there that evening. It’s clever bar marketing that acknowledges the artist, gives in-the-know audience members a little wink, and highlights available drinks beyond your average venue choices.
Whether present for flavor or looks (usually both), the humble garnish works hard to differentiate your drink.
Differing schools of thought rule the citrus peel. Many a mixologist has expressed a peel over my drink. But what happens next differs. Some drop the peel into the drink. Some circle the rim with the peel first. Others believe that rubbing the peel on the stem of the glass is the proper next step, as it leaves warm citrus notes on the drinker’s hand and adds to the nose of the drink.
I’ll update as I receive more interesting examples. Comments about your oddest garnishes are welcome!